sE Electronics BL8 Boundary Microphone Review: A Versatile Choice for Kick Drums and More

sE Electronics BL8 Boundary Microphone Review: A Versatile Choice for Kick Drums and More

Table of Contents

Introduction

The sE Electronics BL8 Boundary Microphone is a versatile tool for capturing powerful audio sources like kick drums, percussion, and even guitar amplifiers. With its half-cardioid polar pattern, built-in low-cut filter, and switchable EQ character, the BL8 aims to deliver both clarity and punch in demanding audio applications. In this review, I’ll delve into the features, performance, and overall value of the sE Electronics BL8, sharing my experiences from extensive testing.

Features

The sE Electronics BL8 boasts several features designed to provide flexibility and sonic control:

Feature Specification
Type Boundary Microphone
Polar Pattern Half-Cardioid
Frequency Response 40Hz – 20kHz
Sensitivity -40dBV/Pa (1kHz, open circuit)
Output Impedance 200 Ohms
Maximum SPL 138dB SPL (1kHz, 0.5% THD)
Low-Cut Filter 80Hz or 160Hz
EQ Character Classic or Modern
Connectors XLR-3M Male

Performance

I tested the BL8 in a variety of scenarios, including recording kick drums, snare drums, and even a guitar amplifier. Here’s what I found:

  • Kick Drums: The BL8 captures kick drums with impressive clarity and punch. The half-cardioid polar pattern helps to minimize unwanted room noise, while the low-cut filter effectively eliminates low-end rumble. The “Modern” EQ setting provides a slightly brighter sound that cuts through the mix, while the “Classic” setting delivers a warmer, more vintage tone.
  • Snare Drums: The BL8 works well on snare drums, capturing the attack and sustain with good detail. The half-cardioid polar pattern helps to isolate the snare sound, reducing bleed from other instruments.
  • Guitar Amplifiers: I was pleasantly surprised by how well the BL8 performed on guitar amplifiers. The microphone captured the full spectrum of the amplifier’s sound, from the low end to the high end, with no noticeable distortion.

Pros & Cons

Pros:

  • Versatile half-cardioid polar pattern
  • Switchable low-cut filter for reducing low-end rumble
  • Adjustable EQ character (Classic or Modern) to tailor the sound
  • High maximum SPL handling for loud sources
  • Durable and reliable construction

Cons:

  • May require some experimentation with placement to achieve optimal results
  • Can be slightly sensitive to proximity effect, especially at close distances

Final Verdict

Overall, the sE Electronics BL8 is a solid boundary microphone that offers a great balance of features, performance, and value. Its versatile polar pattern, switchable EQ character, and high SPL handling make it an excellent choice for capturing a wide range of instruments and sounds. While it may require some experimentation with placement, the BL8 is a reliable and capable microphone that I would highly recommend for both home studios and professional recording environments.